PRIVATE 48 | Economic inequalities
The pictures of this issue show economic inequalities as they are today in a way which breaks the stupor of indifference generated by watching antiseptic clean TV programmes of the main news channels....
View ArticlePRIVATE 49 | FRANCE PRÉSENCES
Such photographs are there not to gratify a curiosity, but are made in response to a feeling: it is not only the landscape we see, even if it takes solid form, and darkens or brightens in certain...
View ArticlePRIVATE 50 | True or Real? CHINA
In contemporary China, uncertainty about what is “true” and what is “false”, “reality” and “appearance”, extends from the realm of photography to that of existence itself. We often feel that we are...
View ArticlePRIVATE 51 | Global Report 2
As unique and special the scenes are that the photographers for this issue have chosen to focus on, the similarities (what we have in common, what we share) that can be found around the globe are...
View ArticlePRIVATE 52 | Contemporary Photography SOUTH KOREA
Trend and Tasks of Contemporary Photography in Korea. “Even though it has been only about 10 years since photography was included in art in Korea, photography is becoming the very basics and center of...
View ArticlePRIVATE 53 | HOPE
The photos in this volume are personal records of events that have taken place in the physical world. They are about discovery, not creation; about finding out, not inventing – for other people to see...
View ArticlePRIVATE 54 | LOST
The photographers of this issue of PRIVATE untitled “Lost” use conceptual, surreal and anthropological photography to narrate inner landscapes of human beings. “You are going to tell me in a single...
View ArticlePRIVATE 55 | Rurality Now
The last global farmers shelter in rifts and unreachable ravines enveloped in loneliness huddle on the margins and scraps of earth still damp from warm, organic contact and human touch. Precarious land...
View ArticlePRIVATE 56 | School
Good news, it infuses this issue with a sense of joy, and with an aspect of carefree childhood seized in flight. There is a feeling of solemnity, but a tender solemnity. An innocence that confronts the...
View ArticlePRIVATE 57 | Inquiry – special VII photo agency
It’s common to hear photojournalists described as the eyes of the world, acting as witnesses to events that we would otherwise not see. To some extent this is true, but it’s a simplified description...
View ArticlePRIVATE 58 | IRAN today
The new issue of PRIVATE is dedicated to contemporary Iranian photography. The collection of photos published in this magazine is a photo-story of personal concerns, documentations and reports made by...
View ArticlePRIVATE 51 | Global Report 2
As unique and special the scenes are that the photographers for this issue have chosen to focus on, the similarities (what we have in common, what we share) that can be found around the globe are...
View ArticlePRIVATE 52 | Contemporary Photography SOUTH KOREA
Even though it has been only about 10 years since photography was included in art in Korea, photography is becoming the very basics and center of the whole art field as it goes through amazing changes.
View ArticlePRIVATE 53 | HOPE
The photos in this volume are personal records of events that have taken place in the physical world. They are about discovery, not creation; about finding out, not inventing – for other people to see...
View ArticlePRIVATE 54 | LOST
You are only dust amidst dust. You are only just visible even if you gesticulate, even if you make a commotion, even if you speak loud and clearly: you act in a silent film. Or rather: one hears...
View ArticlePRIVATE 55 | Rurality Now
The last global farmers shelter in rifts and unreachable ravines enveloped in loneliness huddle on the margins and scraps of earth still damp from warm, organic contact and human touch. Precarious land...
View ArticlePRIVATE 56 | School
Good news, it infuses this issue with a sense of joy, and with an aspect of carefree childhood seized in flight. There is a feeling of solemnity, but a tender solemnity. An innocence that confronts the...
View ArticlePRIVATE 57 | INQUIRY – special VII photo agency
It’s common to hear photojournalists described as the eyes of the world, acting as witnesses to events that we would otherwise not see. To some extent this is true, but it’s a simplified description...
View ArticlePRIVATE 58 | IRAN today
The collection of photos published in this magazine is a photo-story of personal concerns, documentations and reports made by 14 photographers who live and work in Iran.
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